A five part performance with a central point of the Station Master’s Room and the four other parts sporadically scattered outside of the room. A sound installation in the Station Master’s Room, plays an audio recording of the artist tapping her body. Performers playing drum, contrabass, saxophone, and viola play impromptu in response to the rhythm they listen to simultaneously to via headphones.
The performance emphasises the relationship between architecture, music and installation. Expressing the constant correlation with past and present, inside and outside, and resistance and deconstruction